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Jesus was a Roman creation of the Persian Mithras?

When it comes to Jesus Christ every Christian fanatics who seems to fall into some kind of Trans. This issue is very controversial, some views expressed may or may not be accepted by the Christian religious community mesmerized. recent archaeological evidence found in Persia (modern Iran) suggest otherwise that Jesus Christ is man made creation copied from the most ancient Persian religion Mitra. The stories of all is 100 percent alike. Here's the YouTube video that can serve as a reference to those with an open mind. http://tw.youtube.com/watch?v=pvDOtpsmxbc&feature=related I am sorry for any loss of faith or personal anguish of this video can cause. but I think it's time for all of humanity that have been manipulated and controlled by the powers of the Roman empire for centuries really know about the Vatican's best kept secret ……. Judging yourself …..

Yes, finally someone gets it.

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The Maussolleion at Halikarnassos: Vol. 5, The Superstructure (Jutland Archaeological Society Publications) $31.02 Raised to honour Maussolos, a Persian satrap of the 4th century BCE, the Maussolleion in Halikarnassos was renowned throughout the ancient world as one of its Seven Wonders. Pliny the Elder provided a useful description of it several centuries later, but another fourteen passed before the invention of moveable type made his observations available to a wider public. By that time, the monument was p...

The Province Judah and the Jews in Persian Times (English, French and German Edition) $60.00 The book contains 30 articles, 29 formerly published, (27 in English, one in French and two in German), presenting a number of aspects of the history of the Province of Judah, the history of the Jews, and some problems of the general history of the Persian Achaemenid times (539-331 B.C.)....

From Xerxes' Murder (465) to Arridaios' Execution (317): Updates to Achaemenid chronology (Including errata in past reports) Bar-S1887 (bar s) $65.00 This investigation consists of updates to the chronology of Achaemenid Persia (539 BCE-304 BCE). The state of Achaemenid chronology was the subject of a series of studies published by this writer about ten to fifteen years ago. Newly emerged evidence has necessitated the present updates. Errata in those earlier studies are listed in an appendix. The focus of the present investigation is on what is...

The Persian Empire $24.95 Lavish illustrations bring to life the traditions of this ancient Middle Eastern civilization and finally place Alexander's invasion within a Persian context. This text promises to be a definitive work on one of the most powerful dynasties in ancient history.Beginning in the sixth century BCE, Persian kings ruled a vast, culturally diverse empire that stretched from northern Libya to central Asia. The regime and its rich multicultural traditions prospered for 250 years until its invasion, and eventual defeat, by Alexander the Great's army in 331 BCE. Yet until the British Museum's exhibition in the summer of 2005, the Persian perspective of this landmark event in world history will have been largely neglected. In one of the few accounts available, The Persian Empire provides a comprehensive and accessible portrayal of one of the world's first land-based dynastic kingdom.brIn her cultural and political history of the development of this power, Lindsay Allen-whose posts in the Ancient Near East departments of the British Museum and the Metropolitan Museum of Art make her one of the leading authorities on Persia-surveys written sources, art objects, warfare, politics, archaeological sites, and daily life during Persian rule. She traces the evolution of the monarchy, showing how it fostered unprecedented international communication and cultural exchange, and describes how the Persian expedition into Greece in the early fifth century BCE became a defining moment that established a European identity apart from an Asian one. Throughout, lavish illustrations bring to life the traditions of this ancient Middle Eastern civilization and finally place Alexander's invasion within a Persian context. As the subject experiences renewed interest, The Persian Empire promises to be the definitive work on one of the most powerful dynasties in ancient history.br[Allen] traces the rise of the monarchy, its interactions with nascent Europe, and examines Persian imperial legacies to p@8ó33333ÿ¾Úx

Herodotus and Religion in the Persian Wars $70.89 Jon Mikalson's book will surely prove an invaluable resource for any student working in the area of Herodotus, Greek religion, or the Persian War period. Rigorous in the standards it applies to the study of this complex subject, it makes a fine addition to the oeuvre of a leading exponent of Greek religion.Will surely prove an invaluable resource for any student working in the area of Herodotus, Greek religion, or the Persian War period. (Robert Garland, Colgate University)Jon Mikalson's book will surely prove an invaluable resource for any student working in the area of Herodotus, Greek religion, or the Persian War period. Rigorous in the standards it applies to the study of this complex subject, it makes a fine addition to the oeuvre of a leading exponent of Greek religion.(Robert Garland, Colgate University)The two great Persian invasions of Greece, in 490 and 480-79 B.C., both repulsed by the Greeks, provide our best opportunity for understanding the interplay of religion and history in ancient Greece on a large scale. Using the Histories of Herodotus as well as other historical and archaeological sources, Jon Mikalson shows how the Greeks practiced their religion at this pivotal moment in their history.pIn the period of the invasions and the years immediately afterward, the Greeks--internationally, state by state, and sometimes individually--turned to their deities, using religious practices to influence, understand, and commemorate events that were threatening their very existence. Greeks prayed and sacrificed; made and fulfilled vows to the gods; consulted oracles; interpreted omens and dreams; created cults, sanctuaries, and festivals; and offered dozens of dedications to their gods and heroes--all in relation to known historical events.pBy portraying the human situations and historical circumstances in which Greeks practiced their religion, Mikalson advances our knowledge of the role of religion in fifth-century Greece and reveals a religious dimens@Q¸õÂ?\)ÿ¾Úx

Archaeological Ethics $49.95 Archaeological Ethics

Archaeological Geology $41.12 Archaeological Geology

The Archaeological Journal $22.63 The Archaeological Journal

The Archaeological Journal $31.34 The Archaeological Journal

The Archaeological Northeast $38.73 The Archaeological Northeast

An Archaeological Autobiography $3.96 An Archaeological Autobiography

An Archaeological Evolution $24.35 An Archaeological Evolution

Archaeological Mexico $2.06 Archaeological Mexico

Archaeological Chemistry $42.12 Archaeological Chemistry

Persia: An archaeological guide (Archaeological guides) $10.46 Persia: An archaeological guide (Archaeological guides)

Persia: An archaeological guide (Archaeological guides) $20 Persia: An archaeological guide (Archaeological guides)

Denmark: An Archaeological Guide (archaeological Guides) $5.47 Denmark: An Archaeological Guide (archaeological Guides)

Persia and the West: An Archaeological Investigation of the Genesis of $27.18 The first kings of the Achaemenid Persian empire, Cyrus the Great and Darius, sought to devise for their capital cities new styles in monumental architecture and sculpture to express their imperial status and mastery of the known world. With no local tradition to guide designers, a homogeneous style was created from the example of the many new subjects -- Ionian Greeks, Lydians, Mesopotamians, and Egyptians. This book traces these sources and explores the way that traditional Achaemenid motifs, if not styles, also permeated the empire.pThe Achaemenid Persian experiment was unique in antiquity, and it was successful for as long as the empire lasted. Even after Alexander the Great brought about its downfall, it continued to influence the arts from Greece to India. This is a record of the brilliant flowering of an artificial yet unified construct, unmatched in the art of the Old World.